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Advertising --- Radio broadcasting --- Television broadcasting --- Australia.
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This book provides a comprehensive introduction to the field of scanning optical microscopy for scientists and engineers. The book concentrates mainly on two instruments: the Confocal Scanning Optical Microscope (CSOM), and the Optical Interference Microscope (OIM). A comprehensive discussion of the theory and design of the Near-Field Scanning Optical Microscope (NSOM) is also given.The text discusses the practical aspects of building a confocal scanning optical microscope or optical interference microscope, and the applications of these microscopes to phase imaging, biological imaging,
Confocal microscopy. --- Imaging systems. --- Radar --- Remote sensing --- Television --- Scanning systems --- Microscopy --- Equipment and supplies
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TV (televisie) --- televisieprogramma's --- Television --- Television broadcasting --- Realism on television. --- #SBIB:309H526 --- 095 --- Televisie --- Realism on television --- -Television broadcasting --- -Telecasting --- Television industry --- Broadcasting --- Radio vision --- TV --- Artificial satellites in telecommunication --- Electronic systems --- Optoelectronic devices --- Astronautics --- Realism in television --- Psychologie van de audiovisuele boodschap --- Optical communication systems --- -Media en publiekgroepen: gebruik van de boodschap, effecten van de media, ... --- -Realism in television --- Telecasting --- Academic collection --- #SBIB:309H402 --- #A9709A --- Maatschappij --- Media --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, ... --- Social aspects --- Theses --- Telecommunication --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, .. --- Mass communications --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, . --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, --- 360 --- televisie --- pers en communicatie --- presse et communication --- Television - Social aspects --- Television broadcasting - Social aspects
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Candidates in Conflict provides a new perspective for understanding presidential debates by analyzing the three televised debates in 1992 among candidates Bill Clinton, George Bush, and Ross Perot. Viewed by millions and now an expected part of presidential campaigns, the debates captured the attention of the nation. The authors show that presidential candidates, by using persuasive attack and defense strategies, are able either to undermine (in the case of their opponents) or to preserve (for themselves) the vital issues of personal credibility and policy matters. The book includes complete transcripts of the debates.
Political oratory --- Television broadcasting of campaign debates. --- Presidents --- Campaign debates --- Television in politics --- Languages & Literatures --- Literature - General --- Parliamentary oratory --- Political speaking --- Oratory --- Politics, Practical --- Public speaking --- Rhetoric --- Election --- Political aspects
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The first half of Rewind and Search looks at the makers -- the producers, directors, writers, story editors, and actors -- while the second half deals with the decision-makers, issues, policy, and ethos that affect the making of CBC television, including drama. Miller pays particular attention to the ways in which programs were influenced by evolving audience expectations, technological advances, and changes in policy, personnel, and the corporate structure of the CBC. With more cutbacks and a change of mandate looming on the horizon, the CBC is at a crossroads. Rewind and Search reveals the value of television drama as an important part of our Canadian heritage, a part that should not be ignored.
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Engelman examines the origins, evolution and politics behind the development of the major noncommercial radio and television institutions in the United States - National Public Radio, Radio Pacifica and the Public Broadcasting Service.
History of North America --- openbare omroep --- Mass communications --- anno 1900-1999 --- United States --- #SBIB:309H1513 --- #SBIB:309H1514 --- Geschiedenis en/of organisatie van de radio en/of televisie: algemeen en per land (met inbegrip van de rol van de omroep in de ontwikkelingsproblematiek) --- Radio- en/of televisie: politieke, juridische, ethische, ideologische aspecten (bv.censuur) --- Public broadcasting -- Political aspects -- United States -- History. --- Radio broadcasting - Political aspects -. --- Radio broadcasting -- Political aspects -- United States -- History. --- Television and politics - United States -. --- Television and politics -- United States -- History. --- Public broadcasting --- Radio broadcasting --- Television and politics --- Journalism & Communications --- Radio & TV Broadcasting --- History --- Political aspects --- History. --- Television broadcasting --- Politics and television --- Radio --- Radio industry and trade --- Non-commercial broadcasting --- Noncommercial broadcasting --- Broadcasting --- Political science --- Freedom of information --- Government publicity --- Mass media --- Political aspects&delete& --- United States of America
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In this interdisciplinary study of the laws and policies associated with commercial radio and television, Thomas Streeter reverses the usual take on broadcasting and markets by showing that government regulation creates rather than intervenes in the market. Analyzing the processes by which commercial media are organized, Streeter asks how it is possible to take the practice of broadcasting-the reproduction of disembodied sounds and pictures for dissemination to vast unseen audiences-and constitute it as something that can be bought, owned, and sold. With an impressive command of broadcast history, as well as critical and cultural studies of the media, Streeter shows that liberal marketplace principles-ideas of individuality, property, public interest, and markets-have come into contradiction with themselves. Commercial broadcasting is dependent on government privileges, and Streeter provides a searching critique of the political choices of corporate liberalism that shape our landscape of cultural property and electronic intangibles.
SOCIAL SCIENCE --- General --- Broadcasting policy --- Broadcasting --- Journalism & Communications --- Radio & TV Broadcasting --- Law and legislation --- History --- History. --- United States --- commercial broadcasting, radio, television, government regulation, markets, media, public interest, property, individuality, corporate liberalism, law, legislation, history, licensing, copyright, electronic culture, intangibles, authorship, ownership, audience, commodity, nonfiction, policy, communication, performing arts, congress.
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Publishes articles by postgraduates, recent doctoral graduates, and post-doctoral fellows working in the fields of literature, literary theory, cultural studies, film & television studies, translation theory, cinema, and theatre. Creative writing or poetry submissions by emerging authors are also considered for publication.
Literature --- Culture --- Literature. --- History and criticism --- Study and teaching --- Study and teaching. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Cultural studies --- Cultural sociology --- Sociology of culture --- Social aspects --- literary studies --- cultural studies --- film and television --- continental philosophy --- media studies --- performance studies --- Philology --- Authors --- Authorship --- Civilization --- Popular culture
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